Case Studies

Work that performs

We measure every engagement by one question: does it work when it matters? These are the projects where that question had a clear answer.

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Featured Projects

One system working across every format, sector, and scale

Pier59 Studios LED volume stage

Pier59 Studios

25 Million Pixels. NYC’s Largest Virtual Production Stage.

Designed and integrated a 65-foot curved LED wall and 40-foot articulating LED ceiling for New York’s premier virtual production facility — debuted at New York Fashion Week.

Franklin Templeton broadcast infrastructure

Franklin Templeton

Enterprise broadcast infrastructure for a global asset manager.

A purpose-built communications and broadcast environment for one of the world’s largest investment management firms — engineered to institutional standards.

LifeWave immersive experience center

LifeWave

Immersive storytelling center powered by real-time workflow.

A permanent Welcome Center built around a live content workflow that tells the brand story at scale — and that the internal team runs independently.

BlizzConline virtual event stage

Blizzard Entertainment

BlizzConline — 40,000 attendees, zero venue.

A fully virtual version of one of gaming’s most iconic live events, reaching 40,000 attendees across formats with no physical venue.

Texas A&M XR production stage

Texas A&M University

XR stage built for a university, operated by their team.

A professional-grade LED volume and virtual production system for a university film program — designed from day one for student-operated daily use.

Bloomberg broadcast control room

Bloomberg

Broadcast control room infrastructure for live financial media.

A purpose-built broadcast control room for one of the world’s most demanding live financial news operations — every signal path engineered to perform without exception.

Penske Media multi-studio infrastructure

Penske Media

Multi-studio broadcast infrastructure for a modern media company.

Unified broadcast infrastructure for a media company operating across multiple content verticals and live programming formats.

Chapman University LED production stage

Chapman University

LED production stage for a film school that needed to own it.

A professional LED volume stage for a film school that wanted to own its virtual production capability — not lease it, not depend on a third party to run it.

Aerosmith live production

Aerosmith

Live production systems for a world-class touring act.

Communications and broadcast infrastructure supporting one of rock’s most technically demanding live touring productions — engineered for reliability at scale.

How We Work

We don’t leave until it runs without us

Every engagement is designed around one outcome: your team owns the system when we’re gone. Not as a handover formality, as the point of the whole exercise.

  • Start with the outcome Before touching a single piece of technology, we define what success looks like in operation, not at install.
  • Build for governance from day one Ownership, training, and operational standards are designed into the system, not appended as an afterthought.
  • Measure performance, not installation Success isn’t a signed completion form. It’s a system that performs reliably, every time the room fills up.

Start a Conversation

If it needs to work;
we should talk.

We don’t pitch to everyone. If you’re managing communications infrastructure at scale, and you’re tired of systems that underperform, we’d like to know more.