Case Studies

Work that performs

We measure every engagement by one question: does it work when it matters? These are the projects where that question had a clear answer.

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Featured Projects

One system working across every format, sector, and scale

Pier59 Studios LED volume stage

Pier59 Studios

18 Million Pixels. Manhattan’s Largest Virtual Production Stage.

Designed and integrated a 65-foot-wide curved LED wall and an articulating LED ceiling for a leading New York virtual production facility — launched in time for New York Fashion Week 2023.

Franklin Templeton multi-screen display environment

Franklin Templeton

Content strategy and a self-run display system for a global asset manager.

Content strategy, production pipeline, and an operational framework for Franklin Templeton’s multi-screen display environment at One Madison Avenue, New York — from creative direction through ongoing remote content management.

LifeWave immersive experience center

LifeWave

An immersive Welcome Center, engineered to run from a single screen.

Turnkey design, integration, and show control for LifeWave’s permanent four-zone Welcome Center in Draper, Utah — with OGS providing ongoing remote support so the on-site team can update content day to day.

BlizzConline virtual event stage

Blizzard Entertainment

BlizzCon, reimagined for a pandemic — no venue required.

Broadcast design, remote systems integration, and global signal management for Blizzard’s first fully virtual BlizzCon (BlizzConline, 2021).

Texas A&M XR production stage

Texas A&M University

An XR stage built to reimagine business education.

A professional-grade LED volume and virtual production system for Texas A&M’s Mays Business School — designed, integrated, and supported with hands-on training for the faculty and staff who run it.

Bloomberg broadcast control room

Bloomberg

A remote control room that produces Bloomberg’s global events.

An OGS-operated Digital Control Room that produces Bloomberg’s virtual, hybrid, and live events worldwide — from financial-services webinars to flagship productions like Bloomberg Invest and Bloomberg House at Davos — on a 24/5 basis with documented 99.99% uptime.

Penske Media multi-studio infrastructure

Penske Media Corporation

One flexible studio, designed for a media company’s whole portfolio.

Design and systems engineering for Penske Media Corporation’s New York studio — a single flexible production space architected to serve brands like Rolling Stone, Variety, and Billboard across editorial and live formats.

Chapman University LED production stage

Chapman University

Virtual production stage design for a top film school.

A complete virtual production volume design for Chapman University’s Dodge College of Film and Media Arts — LED wall configuration, signal flow, rack elevations, power/HVAC, and a full bill of materials — delivered in partnership with AbelCine.

Aerosmith live production

Aerosmith

Production design and previsualization for a world-class tour.

Technical direction and real-time 3D (Unreal Engine) previsualization for the staging of Aerosmith’s “Peace Out” farewell tour — partnering with TAIT and GTC to shape the production before a single rig was hung.

How We Work

We don’t leave until it runs without us

Every engagement is designed around one outcome: your team owns the system when we’re gone. Not as a handover formality, as the point of the whole exercise.

  • Start with the outcome Before touching a single piece of technology, we define what success looks like in operation, not at install.
  • Build for governance from day one Ownership, training, and operational standards are designed into the system, not appended as an afterthought.
  • Measure performance, not installation Success isn’t a signed completion form. It’s a system that performs reliably, every time the room fills up.

Start a Conversation

If it needs to work;
we should talk.

We don’t pitch to everyone. If you’re managing communications infrastructure at scale, and you’re tired of systems that underperform, we’d like to know more.